Traverse City Record-Eagle


March 25, 2013

Filmmaker Patrick Scott grew up in Traverse City, now works in California

TRAVERSE CITY — Art saved Patrick Scott.

Scott grew up a poor, mixed-race kid on the Old Mission Peninsula. He put up with name-calling and general “crappy treatment,” he said, but it was all overshadowed by an education that literally changed his life.

Today, Scott is a successful filmmaker whose videos, “Thanks, Smokey!” and “Escalator” have gone viral. His production company in Venice, Calif., teamed with Machinima Prime to launch a new web series, “Zoochosis.”

“If you look at my previous work, you’ll see that even though on the surface things are very sexy or slapstickey, there’s always a deeper element there about the strain of how the individual conflicts with society,” said Scott, 36.

Early on, Scott said, the animated television series “The Simpsons” confirmed for him that the world really was both a dark and funny place.

Scott was the youngest of seven siblings and found solace in comic books, drawings, short stories and movies. A surrogate family showed him art was cool.

“I can’t imagine where I’d be without my art,” Scott said. “It quite literally saved me as a kid and gave my brain and passion a real focus. And since my work saved me, I feel beholden to it and have made it the most important thing in my life.”

Over the years Scott’s films have made it to Sundance Film Festival and he’s directed commercials and music videos. “Zoochosis” recently put him on the map; its been viewed about 30 million times on YouTube.

Scott graduated from Traverse City Central High School, then moved to California, where he earned undergrad and graduate degrees in Film Production at California Institute of the Arts. He credits a number of Traverse City teachers and artists for helping him get there.

His junior high art teacher, Joe Send, taught him video in a state-funded program called Video Arts Production. Local filmmaker Rich Brauer was his first example of a working filmmaker. Scott recalled that Tom Mills sold him his first camera, a 16mm Bolex.

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